ABRAHAMS, Roger D., Ordinary and Extraordinary Experience, in Victor W. Turner
and Edward M. Bruner, The Anthropology of Experience, University of Illinois
Press, Urbana and Chicago, 1986, pagg.45-72.
ALLAN, Ranald, Listen to the Fire. Some Personal Reflections on the Music of North-East Arnhem Land, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.20-22.
ALLEN, Harry, Kakadu: archaeological stories for emergent landscapes, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.141-152.
ANDERSON, Greg, Striking a Balance: Limited Variability in Performances of a Clan Song Series from Central Arnhem Land, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.12-26.
ARTHUR, Jay, An unobtrusive goanna, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.37-49.
AUSTRALIA, ABORIGINAL LAND RIGHTS COMMISSION, Second Report, Australian Government Publishing Service, Canberra, 1974.
HIGH COURT Mabo versus Queensland [n.2], 175 CLR 1, 1992.
LAWS, STATUTES, etc, Aboriginal Land Rights (Northern Territory) Act 1976, Government Printery, Canberra, 1976.
NORTHERN TERRITORY SUPREME COURT, Milirrpum and others versus Nabalco Pty Ltd and the Commonwealth of Australia, Federal Law Reports 17, 19
QUEENSLAND SUPREME COURT, Torres Strait Islands Coastal Islands Bill, 1982.
PARLIAMENT, Report from the Select Commitee od Grievances of Yirrkala Aborigines, Arnhem Land Reserve. C. P. P. (H. of R.) No. 311, 1963.
BARWICK, Linda, Central Australian Women's Ritual Music. Knowing Through Analysis Versus Knowing Through Performance, in Yearbook for Traditional Music, vol.22, Columbia University Press, New York, 1990, pagg.60-79.
Unison and "Disagreement" in a Mixed Women's and Men's Performance (Ellis Collection, Oodnadatta 1966), in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.95-105.
BEBBINGTON, Warren A., Sound and Reason. Music Essays in Honour of Gordon D. Spearitt, University of Queensland Press, St.Lucia, 1992.
BELLE, Dianne, Daughters of the Dreaming, McPhee Gribble / Allen & Unwin, North Sydney, 1983.
BENNETT, Scott, Aborigines and Political Power, Allen & Unwin, Sydney, 1989.
BERNDT, Ronald M., Love Songs of Arnhem Land, T. Nelson Publisher, West Melbourne, 1976
Other creatures in human guise and vice versa: a dilemma in understanding, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.168-191.
BERNDT, Ronald M. and Catherine H., Man, Land and Myth. The Gunwinggu People, Ure Smith, Sydney, 1970.
The Speaking Land. Myth and Story in Aboriginal Australia, Penguin Books Australia, Ringwood, 1989.
BIERNOFF, David, The Nature of Public Song in a South East Arnhem Land Community, in Musicology. Journal of the Musicological Society of Australia, IV, University of New South Wales, Sydney, 1974, pagg.25-44.
Safe and Dangerous Places, in C.R. Hiatt, Australian Aboriginal Concepts, Australian Institute of Aboriginal Studies, Canberra, 1978, pagg.93-105.
BREEN, Marcus, Our Place, Our Music, Australian Institute for Aboriginal Studies, Canberra, 1989.
BRUNER, Edward M., Experience and its Expression, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.3-30.
CASEY, Edward, Spirit and Soul. Essay in Philosophical Psychology, Spring Publications Inc., Dallas, 1991.
How to Get from Space to Place in a Fairly Short Stretch of Time, in Steven Feld & Keith H. Basso, Senses of place, School of American Research Press, Santa Fe, 1996.
CHARLESWORTH, Max, KIMBER, Richard, WALLACE, Noel, Ancestors Spirits, Deakin University, Geelong, 1990.
CLARKE, Philip A., Adelaide as an Aboriginal Landscape, in Aboriginal History, vol.15, n.1, Australian National University Central Printery, Canberra, 1991, pagg.54-72.
CLUNIES ROSS, Margaret, The Structure of Arnhem Land Song-poetry, in Oceania, University of Sydney Press, Sydney, vol.49, n.2, 1978, pagg.128-156.
Research into aboriginal songs: the state of the art, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.1-13.
CLUNIES ROSS, Margaret and WILD, Sthephen A., Formal Performance: The Relation of Music, Text and Dance in Arnhem Land Clan Songs in Ethnomusicology, vol.28 n.2, Society for Ethnomusicology, Wesleyan University Press, Middletown, 1984 pp.209-235.
CRISP, Deborah, The influence of Australian Aboriginal Music in the Music of Contemporary Australian Composers, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.49-56.
Bibliography of Australian Music, Australian Music Studies Project, Armindale, 1982.
COX, J.S., Aboriginal Body Decorations - a move toward interpretation, BA Thesis, University of Queensland, St.Lucia, 1982.
CSORDAS, Thomas J., Embodiment as a Paradigm for Anthropology, in Ethos, vol.18, Society for Phsycological Anthropology, Washington D.C., 1988, pagg.5.47.
DALY, Margo, DHNE, Anne, LEFFMAN, David, SCOTT, Chris, Australia. The Rough Guide, Rough Guide Ltd., 1995 (trad. it., Edizioni Fuori Thema, Città di Castello, 1997).
DEVERAUX, Kathy, Looking at the Country from the Heart, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.68-82.
DJAMBIDJ, A companion Booklet for An Aboriginal Song Series from Northern Australia, Australian Institute for Aboriginal Studies, Canberra, 1981.
DONALDSON, Tamsin, Translating Oral Literature: Aboriginal Song Text, in Aboriginal History, vol.3, n.1, Australian National University Central Printery, Canberra, 1979, pagg.62-83.
What's in a Name?, in Aboriginal History, vol.8, n.1, Australian National University Central Printery, Canberra, 1984, pagg.21-44.
Making a song (and dance) in South-eastern Australia, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.14-42.
Mixes of English and Ancestral Language Words in Southeast Australian Aboriginal Songs of Traditional and Introduced Origin, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.143-158.
DOOLON, J.K., Aboriginal Concept of Boundary, in Oceania, University of Sydney Press, Sydney, vol.49, n.3, pagg.161-168.
EGAN, Ted, The Aborigines Songbook, Greenhouse Publications Pty Ltd, Richmond, 1987.
ELKIN, A.P., The rainbow serpent myth in North-West Australia, in Oceania, vol.1.,University of Sydney Press, Sydney, 1930, pagg.349-352.
The Australian Aborigines, Allen & Unwin, 1956 (trad.it., Gli aborigeni australiani, Eiunaudi, Torino, 1971).
ELLIS, Catherine J., Structure and Significance in Aboriginal Song, in Mankind, Vol.7, Sydney University Press, Sydney, 1969, pagg.3-14.
Functions and Features of Central and South Australian Music, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.23-26.
Developments in Music Education among Aboriginal in Central and South Australia, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.27-40.
Aboriginal music and Dance in Southern Australia, in E. Sadie, New Grove's Dictionary of Music And Musicians, Macmillian Publisher Limited, London, 1980, pagg.722-728.
Time Consciousness of Aboriginal Performers, in J. C. Kassler and J. Stubington, Problems and Solutions: Occasional Essays in Musicology presented to Alice M. Moyle, Hale and Iremonger, Sydney, 1984, pagg.149-185.
Aboriginal Music. Education for living. Cross-cultural Experiences from South Australia, University of Queensland Press, St. Lucia, 1985.
Living Preservation: Problems of Cultural Exchange with Central Australian Traditional Performers, in Alice M. Moyle, Music and Dance of Aboriginal Australia and the South Pacific, Oceania Monograph 41, University of Sydney Press, Sydney, 1992, pagg.155-162.
Whose Truth?, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.201-208.
ELLIS, C.J., ELLIS, A.M., TUR, M., and McCARDELL, A., Classification of Sounds in Pitjantjatjara Speaking Areas, in C.R. Hiatt, Australian Aboriginal Concepts, Australian Institute of Aboriginal Studies, Canberra, 1978, pagg.69-80.
FAULSTICH, Paul, 'You Read 'im This Country': Landscape, Self and Art in an Aboriginal Community, in J.C. Dark & Roger G. Rose, Artistic Heritage in a Changing Pacific, Crawford House Press, Bathurst, 1993.
FELD, Steven, Sound and Sentiment, University of Pennsylvania Press, Philadelphia, 1982.
FELD, Steven & BASSO, Keith H., Senses of place, School of American Research Press, Santa Fe, 1996.
FERNANDEZ, James W., The Argument of Images and the Experience of Returning to the Whole, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.159-187.
FRIEDSON, Steven M., Dancing Prophets, University of Chicago Press, Chicago and London, 1996.
FRY, H. K., Body and Soul, in Oceania, vol.3 n.3, University of Sydney Press, Sydney, 1933, pagg.247-256.
GEERTZ, Clifford, Making Experience, Authoring Selves, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.373-380.
GILL, Nick, Pastoralism, a contested domain, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.50-67.
LEROI-GOURAHN, André, Le geste et la parole. La Mémoire et les rhytmes, Editions Albin Michel, Paris, 1965, (trad. it., Il gesto e la parola. Einaudi, Torino, 1977).
GRAU, Andrée, Sing a Dance - Dance a Song, in The Journal of Society for Dance Research, vol.1, ····, London, 1983.
GUMMOW, Margaret, Song and Sites/Moving Mountains: A Study of One Song from Northern NSW, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.121-132.
HARRIS, Pam, Matemathics in a Cultural Context. Aboriginal Perspective on Space, Time and Money, Deakin University, Geelong, 1991.
HERCUS, Luise and KOCH, Grace, Song Styles from near Poeppel's Corner, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.106-120.
HIRSCH, Eric, Landscape Between Place and Space, in Erich Hirsch & Michael O'Hanlon, The Anthropology of Landscape, Clarendon Press, Oxford, 1995, pagg.1-59.
IHDE, Don, Listening and Voice. A Phenomenology of Sound, Ohio University Press, Athens, 1976.
JACKSON, Michael, Knowledge of the Body, in Man, vol.18, Royal Anthropologica Institute, London, pagg.327-345.
Minima Ethnographica: Intersubjectivity and the Anthropological Project, University of Chicago Press, Chicago and London, 1998.
JACKSON, Sue, Land use planning and cultural difference, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.87-104.
JONES, Rhys, Ordering the Landscape, in Tamsin Donaldson, Seeing the First Australians, Allen & Unwin, North Sydney, 1985, pagg.181-209.
JENNET, Christine, Aborigines, Land Rights and Mining, 1980.
KAPFERER, Bruce, Performance and the Structuring of Meaning and Experience, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.188-203.
KEEN, Ian, Knowledge and Secrecy in an Aboriginal Religion. The Yolngu of North-East Arnhem Land, Oxford University Press, Oxford, 1994.
KEOGH, Ray, Process Models for the Analysis of Nurlu Songs from the Western Kimberleys, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.39-52.
KNOPOFF, Steven, Yuta Manikay: Juxtaposition of Ancestral Elements in the Performance of Yolngu Clan Songs, in Yearbook for Traditional Music, vol.24, Columbia University Press, New York, 1992, pag.138-153.
KOCH, Grace, Australian Aboriginal Music and the Land, in Annuario degli Archivi di Etnomusicologia dell'Accademia Nazionale di Santa Cecilia, vol.II, Libreria Musicale Italiana, Lucca, 1994, pagg.109-121.
Dyirbal Gama Songs of Cape York, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.43-62.
KOLIG, Eric, Noah's Ark Revisited, in Oceania, University of Sydney Press, Sydney, vol.51, n.2, 1980, pagg.118-132.
Australian Aborigines Totemic System, in Oceania, University of Sydney Press, Sydney, Vo.58, n.3, 1988, pag.212-230.
LAYTON, Robert, Relating to the Country in the Western Desert, in Erich Hirsch & Michael O'Hanlon, The Anthropology of Landscape, Clarendon Press, Oxford, 1995, pagg.210-231.
LUCAS, Diane, GAPINDI, Minnie & RUSSELL-SMITH, Geremy, Cultural perspective of the South Alligator Rivers floodplain, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.120-140.
MAGOWAN, Fiona, 'The Land is Our Märr (Essence), It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Music, in Martin Stokes, Ethnicity, Identity and Music. The Musical Construction of Place, Berg Publisher, Oxford, 1994, pagg.135-155.
MARETT, Allan, Variability and Stability in Wangga Songs from North-West Australia, in Alice M. Moyle, Music and Dance of Aboriginal Australia and the South Pacific, Oceania Monograph 41, University of Sydney Press, Sydney, 1992, pagg.193-212.
MARETT, Allan and PAGE, JoAnne, Interrelationships between Music and Dance in a Wangga from Northwest Australia, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.27-38.
McCONNEL, Ursula, The rainbow serpent in North Queensland, in Oceania, vol.1.,University of Sydney Press, Sydney, 1930, pagg.347-349.
MERLAN, Francesca, Catfish and alligator: totemic songs of the Western Roper River, Northern Territory, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.142-167.
MERLEAU-PONTY, Maurice, L'Oeil et l'Esprit, Editions Gallimard, 1964 (trad. it., L'occhio e lo spirito, SE, Milano, 1989).
MORAIS, Megan, Documenting Dance: Benesh Movement Notation and the Warlpiri of Central Australia, in Alice M. Moyle, Music and Dance of Aboriginal Australia and the South Pacific, Oceania Monograph 41, University of Sydney Press, Sydney, 1992, pagg.130-144.
Antikirinya Women's Cerimonia Dances Structures: Manifestations of the Dreaming, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.75-94.
MORPHY, Howard, Journey to the crocodile's nest, Australian Institute of Aboriginal Studies, Canberra, 1984.
Myth, Totemism and the Creation of Land, in Oceania, University of Sydney Press, Sydney, vol.60, n.4, 1990, pagg.312-328.
Ancestral connections. Art and an aboriginal System of Knowledge, University of Chicago Press, Chicago and London, 1991.
Landscape and the Reproduction of the Ancestral Past, in Erich Hirsch & Michael O'Hanlon, The Anthropology of Landscape, Clarendon Press, Oxford, 1995, pagg.184-209
MOYLE, Alice M., Aboriginal Music of Cape York, in Musicology. Journal of the Musicological Society of Australia, III, University of New South Wales, Sydney, 1969, pagg.3-20.
Songs from Northern Territory. A companion booklet for the set of five lp or cassettes, Australian Institute of Aboriginal Studies, Canberra, 1974.
Aboriginal music and dance in Northern Australia, in E. Sadie, New Grove's Dictionary of Music And Musicians, Macmillian Publisher Limited, London, 1980, pagg.713-721.
MOYLE, Richard, Alyawarra Music. Songs and Society in a Central Australian Community, Australian Institute for Aboriginal Studies, Canberra, 1986.
Singing from the Heart?, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.53-58.
NEUENFELDT, Karl, The Didjeridu: From Arnhem Land to Internet, John Libbey And Company, Sydney, 1997.
MUNN, Nancy, Walbiri Iconography. Graphic Representation and Cultural Symbolism in a Central Australian Society, Cornell University Press, Ithaca and London, 1973.
The transformation of Subjects into Objects in Walbiri and Pitjantjatjara Myth, in Ronald M. Berndt, Australian Aboriginal Anthropology, University of Western Australia Press, Nedlands, 1970, pagg.141-163.
Excluded Spaces: The Figure in the Australian Aboriginal Landscape, in Critical Inquiry: 22, (Spring), University of Chicago Press, Chicago, 1996, pagg.446-465.
MYERS, Fred. R., Pintupi Country, Pintupi Self, Australian Institute of Aboriginal Studies, Canberra, 1986.
PEARCE, Trevor, Music and Settled Aboriginal, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.41-48.
PIDDINGTON, Ralph, The water serpent in Karandjeri Mythology, in Oceania, vol.1.,University of Sydney Press, Sydney, 1930, pagg.352-354.
RADCLIFFE-BROWN, A.R., The rainbow serpent myth in South-east Australia, in Oceania, vol.1., University of Sydney Press, Sydney, 1930, pagg.342.347.
REID, Janice, Sorcerers and Healing Spirits, Australian National University Press, Canberra, 1983.
ROSE, Deborah Bird, Exploring an Aboriginal Land Ethic, in Meanjin, vol.47, n.3, University of Melbourne Press, Melbourne, 1988.
Dingo makes us human. Life and Land in an Aboriginal Australian Culture Cambridge University Press, Cambridge, 1992.
Nourishing Terrains, Australian Heritage Commission, Canberra, 1996.
The Year Zero and the North Australian frontier, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.19-36.
ROSS, Glen, Dreamtime, Who's time?: A.P. Elkin and the construction of Aboriginal time in the 1930s and 1940s, in Journal of Australian Studies, vol.54/55, November, University of Queensland Press, St.Lucia, 1997.
ROWNTREE, Les, The landscape: a view from geography, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.1-18.
SCHEBECK, Bernard Names of Body-parts in North-east Arnhem Land, in C.R. Hiatt, Australian Aboriginal Concepts, Australian Institute of Aboriginal Studies, Canberra, 1978, pagg.168-177.
SADIE, Stanley, New Grove Dictionary of Music and Musicians, Macmillian Publisher Limited, London, 1980.
SOMERVILLE, Margaret, with Florrie Munro and Emily Connors, In Search of the Queen, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.133-142.
SPECER, Sir Barldwin and GILLEN, F.J., The Arunta. A Study of a Stone Age People, Macmillian & Co., England, 1927, Anthropological Publications, Oosterrhout, 1966.
STANNER, William E. H., White man got no dreaming (Essays 1938-1973), Australian National University Press, Canberra, 1979.
On Aboriginal Religion, Oceania Monograph 36, University of Sydney Press, Sydney, 1989.
STOKES, Martin, Introduction: Ethnicity, Identity and Music, in Martin Stokes, Ethnicity, Identity and Music. The Musical Construction of Place, Berg Publisher, Oxford, 1994, pagg.1-27.
STREHLOW, Theodor G. H., Geography and the Totemic Landscape in Central Australia: a Functional Study, in Ronald M. Berndt, Australian Aboriginal Anthropology, University of Western Australia Press, Nedlands, 1970, pagg.92-139.
Songs of Central Australia, Angus and Robertson, Sydney, 1971.
Central Australian Religion. A Personal Monotemism in a Polytotemic Community, Flinders Press, South Australia, 1993, (trad. it., I sentieri dei sogni. La religione degli Aborigeni dell'Australia centrale, Mimesis, Milano, 1997).
STUBINGTON, Jill, North Australian Aboriginal Music, in Jennifer Isaacs, Australian Aboriginal Music, Aboriginal Artists Agency, Sydney, 1979, pagg.7-19.
SUTTON, Peter, Mystery and change, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.77-96.
TAMISARI, Franca, Dancing the Land, Holding the Law. Meaning and Experience in Yolngu Performance, Sydney, 1997 [non pubblicato]
Body, Vision and Movement: in the Footprints of the Ancestors, in Oceania, vol.68, University of Sydney Press, Sydney, 1998, pagg.249-270.
TARRAN, Mary, Landscape knowledge/cultural property, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.83-86.
THOMPSON, Donald, The Concept of Märr in Arnhem Land, in Mankind, vol.10, n.1, Sydney University Press, Sydney, 1975, pagg.1-10.
TONKINSON, Robert, Aboriginal Dream-Spirit Beliefs in a Contact Situation: Jigalong, Western Australia, in Ronald M. Berndt, Australian Aboriginal Anthropology, University of Western Australia Press, Nedlands, 1970, pagg.277-291.
TUNBRIDGE, Dorothy, Aboriginal Place Names, in The Journal of Australian of Australian Institute of Aboriginal Studies, vol.2, Canberra, 1987, pagg.2-13.
TUNSTILL, Guy, Melody and rhythmic structure in Pitjantjatjara Song in Songs of Aboriginal Australia, Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, in Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.121-141.
Learning Pitjantjatjara Songs, in Linda Barwick, Allan Marrett and Guy Tunstill, The Essence of Singing and the Substance of Song, Oceania Monograph 46, University of Sydney Press, Sydney, 1995, pagg.59-74.
TURNER, Victor W., Dewey, Dilthey, and Drama: an Essay in the Anthropology of Experience, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.31-44.
TURNES, Frederick, Reflexivity as Evolution in Thoreau's Walden, in Victor W. Turner and Edward M. Bruner, The Anthropology of Experience, University of Illinois Press, Urbana and Chicago, 1986, pagg.73-94.
VON STURMER, John, Aboriginal singing and the motion of power, in Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.63-76.
YI-FU, Tuan Space and Palce. The Perspective of Experience, Edward Arnold Publisher Ltd., London, 1977.
WALSH, Michael, The land still speaks?, in Deborah Bird Rose and Anne Clarke, Tracking Knowledge in North Australian Landscapes. Studies in indigenous and settler ecological knowledge system, North Australia Research Unit, Australian National University, Canberra & Darwin, 1997, pagg.105-119.
WARNER, W.L., A Black Civilization: a Social Study of an Australian Tribe, Harper, New York, 1937/64.
WATERMAN, Richard A., Music in Australian Aboriginal Culture, in David P. McAllester, Rreadings in Ethnomusicology, Johnson Reprint Corporation, New York and London, 1971.
WILD, Sthephen A., Walbiri Music and Dance in their Social and Cultural Nexus, Indiana University Ph.D. Anthropology Thesis, University Microfilm, Ann Arbour, 1975.
Australian Aboriginal Performances, past and present in Souvenir Program Book, The Festival of Asian Arts, Honk Hong, 1980.
Recreating the Jukurrpa: adaptation and innovation of song and cerimonies in Warlpiri society, Margaret Clunies Ross, Tamsin Donaldson and Stephen A. Wild, in Songs of Aboriginal Australia, Oceania Monograph 32, University of Sydney Press, Sydney, 1987, pagg.97-120.
Music and Dance, in Jones Jupp, The Australian People. And Encyclopedia of the Nation, its People and their Origins, Angus & Robertson Publisher, Sydney, 1988, pagg.175-181.
Issues in the Collection, Preservation and Dissemination of Traditional Music: the Case of Aboriginal Australia, in Alice M. Moyle, Music and Dance of Aboriginal Australia and the South Pacific, Oceania Monograph 41, University of Sydney Press, Sydney, 1992, pagg.7-15.
WILLIAMS, Nancy The Yolngu And Their Land. A System of Land Tenure and the Fight for its Recognition¸ Australian Institute for Aboriginal Studies, Canberra, 1986.
WOLFE, Patrick On Beeing Woken Up: The Dreamtime in A.P. Elkin, in Comparative Studies in Society and History, vol.33, n.2, Cambridge University Press, Cambridge, 1991, pagg.267-298.